Podcast Producer Job Description: What to Look For When You Hire

thepodcastconsultant
17 min read

If you’re a finance company writing a podcast producer job description, there’s a good chance you’re describing the wrong role. Most first drafts read like an audio editor posting: heavy on DAW software, light on editorial judgment, and silent on compliance. That explains why so many early podcast hires underperform. This article gives you a complete podcast producer job description template, a breakdown of what the role actually covers, salary benchmarks across employment models, and an honest comparison of in-house, freelancer, and agency options. If you’re still weighing whether to hire at all, the guide to hiring a podcast producer covers the upstream decision in more depth.

What Is a Podcast Producer?

A podcast producer owns the end-to-end production workflow: pre-production planning, guest coordination, recording logistics, editorial direction, post-production oversight, distribution, and performance reporting. They function as a project manager with editorial judgment. At a finance company specifically, they also interface with compliance, legal, and marketing teams. Standard job description templates never mention that scope.

The role is distinct from three adjacent titles that often get conflated with it:

  • An audio editor executes editing tasks inside a DAW (digital audio workstation) and hands files back.
  • A podcast manager handles operational administration: scheduling, inbox management, logistics.
  • A show host is the on-mic talent.
  • A producer coordinates all three functions without necessarily performing any of them personally.

That distinction matters for hiring because the wrong title attracts the wrong candidates. If you write a job description that prioritizes Adobe Audition proficiency over editorial judgment, you’ll attract editors. Editors are valuable, but they won’t tell you that a guest’s answer misrepresented a fund’s performance, and they won’t flag that a recording session ran 20 minutes over because the host wasn’t properly briefed. For a detailed breakdown of what strong podcast production looks like end-to-end, that post covers the full workflow.

What Does a Podcast Producer Do Across the Production Workflow?

A podcast producer manages four distinct phases, each with its own deliverables and decision points. The responsibilities listed below are what the role owns.

Pre-production

  • Define the episode brief in line with the content strategy
  • Identify, brief, and confirm guests
  • Prepare host briefing notes and interview question frameworks
  • Coordinate recording schedules and technical setup instructions for guests
  • Liaise with compliance or legal for pre-approval where required (this is non-negotiable at most finance firms)

Production

  • Oversee or run recording sessions
  • Monitor audio quality in real time
  • Manage remote recording platforms: Riverside.fm, Squadcast, or equivalent
  • Redirect conversations that drift off-brief during the session

Post-production

  • Brief and manage the audio editor
  • Review edited files against quality standards
  • Approve the transcript, show notes, and chapter markers
  • Coordinate with marketing on asset creation, including audiograms, LinkedIn clips, and podcast clips for social distribution

Distribution and reporting

  • Upload to the podcast host (Buzzsprout, Captivate, Libsyn, or equivalent)
  • Submit episodes to directories
  • Track downloads, listener retention, and episode-level engagement
  • Report against agreed KPIs monthly

TPC Recommendation: Finance companies consistently underestimate the compliance liaison function. At regulated firms, every episode that mentions a fund, a strategy, or a market outlook should go through a pre-approval workflow before recording. Build that step explicitly into the job description under pre-production responsibilities, and ask candidates in the interview how they’ve managed approval workflows at previous firms. Candidates who’ve never encountered this requirement will surface quickly.

What Skills and Experience Should You Require vs. Prefer?

A podcast producer job description should separate hard requirements from desirable additions. The requirements filter your candidate pool. The preferred skills help you rank within it.

Required

  • Demonstrable experience producing at least one B2B podcast. Ask for portfolio evidence, not self-reported claims. Listen to two full episodes before the first interview.
  • Project management competency. The candidate needs to run multiple episodes in parallel without dropping timelines. Ask how they track it.
  • Editorial judgment. Can they identify a weak guest answer? Do they know when to request a re-record versus when to work with what’s there?
  • Basic audio literacy. They don’t need to be an engineer, but they should understand the difference between a room acoustics problem and a mic gain problem. This matters when briefing an editor or troubleshooting a remote session.
  • Comfort operating in a regulated environment. At minimum, they should understand why compliance review exists and how to work within it without treating it as an obstacle.

Preferred

  • Prior experience in financial services, professional services, or another regulated sector
  • Familiarity with podcast analytics platforms such as Spotify for Podcasters and Apple Podcasts Connect
  • Experience briefing and managing a freelance audio editor
  • Understanding of SEO as applied to podcast show notes and episode titles

Screen out: candidates whose CV centers on audio editing with no evidence of project management or editorial responsibility. That’s an editor’s profile. You’re hiring a producer.

Podcast Producer Job Description Template

Copy this block and adapt the bracketed fields for your firm.


Job Title: Podcast Producer

Reporting Line: [Head of Marketing / CMO / Chief of Staff – firm to confirm]

Employment Type: [Full-time / Part-time / Contract – firm to confirm]

Location: [Remote / Hybrid / On-site – firm to confirm]

About the Role

[Company name] produces [name of podcast], a [weekly / biweekly / monthly] show for [target audience – e.g., institutional investors, independent financial advisors, fintech operators]. We are hiring a Podcast Producer to own the full production lifecycle, from episode planning through distribution and performance reporting. This role works directly with [host name or title] and reports to [hiring manager title].

Responsibilities

  • Define episode briefs aligned with the firm’s content strategy and thought leadership objectives
  • Identify, brief, and confirm guests. Manage scheduling and pre-interview preparation
  • Prepare host briefing notes and interview question frameworks for each episode
  • Coordinate recording logistics, including technical setup instructions for remote guests
  • Liaise with compliance and legal teams for pre-approval of episode content where required
  • Oversee recording sessions, monitor audio quality, and redirect conversations that drift off-brief
  • Manage remote recording platforms (Riverside.fm, Squadcast, or firm-approved equivalent)
  • Brief and manage the audio editor. Review edited files against quality standards
  • Approve transcripts, show notes, and chapter markers before publication
  • Coordinate with marketing on derivative asset creation, including audiograms, video clips, and LinkedIn content
  • Upload finished episodes to the podcast host and submit to directories
  • Track downloads, listener retention, and episode-level engagement data
  • Deliver monthly performance reports against agreed KPIs

Requirements

  • Demonstrated experience producing at least one B2B podcast (portfolio of two or more produced episodes required at application)
  • Proven project management competency across concurrent production timelines
  • Editorial judgment: ability to assess interview quality and make re-record or editorial decisions
  • Basic audio literacy: able to diagnose and brief solutions to common recording issues without hands-on editing
  • Comfort working within a regulated environment and interfacing with compliance stakeholders

Nice to Have

  • Prior experience in financial services, professional services, or a regulated sector
  • Familiarity with Spotify for Podcasters, Apple Podcasts Connect, or comparable analytics platforms
  • Experience managing a freelance audio editor within a defined scope and budget
  • Working knowledge of SEO as applied to podcast metadata, episode titles, and show notes

What We Offer

[$X,XXX, $X,XXX salary range – see Section 6 benchmarks] | [Benefits] | [Flexibility terms]

How to Apply

Submit a portfolio of at least two B2B podcast episodes you have produced, a brief written note explaining your production workflow, and your CV to [email or application link].


TPC Recommendation: The application requirement of a portfolio plus a written workflow note does most of your screening work before the first interview. Candidates who can’t describe their production workflow in writing almost certainly don’t have one. At finance companies, an undocumented workflow is a compliance risk. Set that standard in the job description itself, and not as an afterthought during the interview stage.

How Much Does a Podcast Producer Make?

Salary and cost benchmarks vary by employment model. Here are realistic ranges for the US market, broken down by engagement type.

Add 20–30% to base salary to account for benefits, employer taxes, equipment, and software. Budget against that total employment cost figure.

Freelance podcast producer (project or retainer)

  • Per-episode rate: $200–$800, depending on whether editing is included in scope
  • Monthly retainer for an ongoing series: $1,500–$5,000, depending on episode frequency and deliverable set

Specialist agency (finance-focused)

  • Monthly retainer: $3,000–$10,000+, depending on full-service scope
  • An agency retainer at that range typically covers strategy, production, distribution, and reporting, equivalent to one to two FTE in coverage

The finance-specific point here is blunt: don’t optimize for cost alone. A producer handling regulated content who misses a compliance issue, such as a fund return stated incorrectly or a guest claim about performance left unchecked, creates legal exposure. That exposure costs more than the salary delta between a mid-level and senior hire. Budget for experience.

In-House vs. Freelancer vs. Agency: Which Model Works for Finance Companies?

The right model depends on episode volume, compliance requirements, internal bandwidth, and growth stage. Here’s how each option maps across the variables that matter.

In-house makes sense when episode volume is weekly or higher, when you have an internal editorial capability the producer can plug into, and when the podcast is proven. It’s rarely the right first move. Onboarding takes three to six months, and total employment cost in year one typically runs higher than finance companies project when they first budget for it.

Freelance works for companies testing a format or running a low-frequency series, monthly or biweekly. The risk is governance: a freelance podcast producer won’t proactively flag compliance issues they weren’t briefed on. If you use a freelancer, your internal team carries editorial oversight. That’s manageable, but it needs to be explicit. If you’re deciding whether to outsource podcast production or keep it in-house, that post walks through the decision framework.

Specialist agency suits finance companies that want production quality, compliance awareness, and strategic development handled with a clear line of accountability. The Podcast Consultant, for example, works exclusively with finance companies, including asset managers, wealth managers, fintechs, and capital markets firms. That means compliance context is built into the engagement from day one. The agency model scales without adding headcount and brings sector experience that an in-house hire at a podcast-stage company will take 12 to 18 months to develop internally.

To summarize:

  • An in-house hire gives you control and institutional knowledge over time, but costs more in year one than companies expect.
  • A freelancer is fast and flexible but shifts governance risk back to you.
  • A specialist agency costs more per month but delivers the lowest compliance risk and fastest path to output for finance companies at the launch or early-growth stage.

For finance companies operating under FINRA or SEC oversight, the FINRA compliance considerations for podcasting post covers what that means in practice.


How Do You Find a Podcast Producer?

Finding the right candidate requires knowing where to look and what to evaluate when you find them.

For freelancers

Search LinkedIn using terms like “podcast producer B2B finance.” Podchaser Pro lists freelance producers with portfolio samples attached. Contra and ProductionHub are also worth checking for contract-based talent.

For in-house candidates

LinkedIn Jobs and Indeed are the obvious channels. Referrals from podcast networks in financial services surface better-qualified candidates than open postings, because the right producer for a finance show already operates in that world.

Portfolio review criteria

Listen to at least two full episodes the candidate produced. Don’t just evaluate audio quality, that’s the editor’s contribution. Evaluate:

  • Guest quality: Did they book credible, interesting guests?
  • Pacing: Does the conversation hold?
  • Host preparation: Is the host clearly briefed?
  • Show notes: Are they specific and useful, or generic?

Interview question that separates producers from editors

Ask: “Walk me through how you managed a guest who delivered poor interview answers. What did you do?” A strong candidate describes editorial intervention: reframing questions, requesting a re-record, restructuring the conversation in post. A weak candidate describes better audio editing. That answer tells you everything about whether they think like a producer.

For agencies

Request a client list in financial services. Ask for case studies with measurable outcomes, including downloads, pipeline attribution, and inbound leads generated. Confirm compliance experience before engaging. Any agency that can’t describe how it handles pre-approval workflows for regulated content isn’t built for finance.

If your show will involve remote guests, which describes most finance podcasts, reviewing how to record a podcast remotely will give you practical context for evaluating a producer’s technical setup competence during the interview.

TPC Recommendation: When evaluating agencies, ask specifically for case studies in your sub-sector, not just “financial services” broadly. The compliance and audience dynamics for an asset management firm running a show for institutional LPs are materially different from a fintech company targeting retail users. A generalist agency that’s produced one finance podcast isn’t the same as an agency that’s produced 50. Ask for the numbers.

Making the Final Call on Resource Allocation

Hiring a podcast producer is a resource allocation decision as much as a staffing one. The model you choose determines your compliance exposure, your time-to-first-episode, your cost structure, and your capacity to scale. That’s true whether you go in-house, freelancer, or agency.

Finance companies at the launch or early-growth stage should pressure-test whether an in-house hire is premature. A specialist agency has already built the podcast editing services layer, the distribution workflow, and the compliance review process. An agency like The Podcast Consultant can deliver the equivalent output at lower risk, and can generate the internal brief, documented workflow, and performance benchmarks that make an eventual in-house hire more successful when you do get there.

See how The Podcast Consultant helps finance companies build podcasts that generate real business results. Book a discovery call

Frequently Asked Questions

What is a podcast producer?

A podcast producer owns the full production lifecycle of a podcast, covering pre-production planning, guest coordination, recording oversight, editorial direction, post-production management, distribution, and performance reporting. They are distinct from an audio editor, who executes editing tasks, and a show host, who delivers on-mic content. The producer is the project manager and editorial decision-maker.

What does a podcast producer do at a finance company specifically?

At a finance company, a podcast producer carries the standard production responsibilities plus an additional compliance function. They coordinate with legal and compliance teams to get episode content pre-approved before recording, flag any guest claims that may require review, and ensure the finished episode meets the firm’s regulatory obligations. This scope rarely appears in generic job description templates.

How much does a podcast producer make?

In the US, a full-time in-house podcast producer earns $45,000 to $60,000 at entry level, $60,000 to $85,000 at mid-level, and $85,000 to $110,000 at senior level with regulated sector experience. Add 20 to 30% for total employment costs. Freelance producers charge $200 to $800 per episode or $1,500 to $5,000 per month on retainer.

What’s the difference between a podcast producer and a podcast editor?

A podcast editor executes specific post-production tasks: cutting audio files, removing filler words, leveling volume, and exporting final files. A podcast producer oversees the entire workflow, makes editorial decisions about content and guest quality, manages the editor as one part of the team, and owns outcomes like downloads, listener retention, and KPI reporting. The two roles require different skill sets and shouldn’t be substituted for each other.

Should a finance company hire an in-house podcast producer or use an agency?

For finance companies at the launch or early-growth stage, a specialist agency typically delivers faster time to output, lower compliance risk, and lower total cost in year one than an in-house hire. In-house hiring makes more sense when episode volume is weekly or higher and when the podcast is already proven. An unproven show with a first-time in-house hire is a high-risk combination.

What should I look for in a podcast producer portfolio?

Listen to at least two full episodes the candidate produced. Evaluate guest quality, conversation pacing, host preparation, and show notes, giving priority to those signals over audio clarity alone. Audio quality reflects the editor’s work. Guest quality, host preparation, and conversation structure reflect the producer’s editorial judgment, which is what you’re actually hiring for.

How do I screen out audio editors applying for producer roles?

Ask candidates to describe their production workflow in writing as part of the application. Editors who lack a production workflow won’t be able to describe one clearly. In interviews, ask how they handled a guest who delivered poor answers. A producer describes editorial intervention, while an editor describes post-production fixes. The distinction surfaces quickly.

What compliance responsibilities does a podcast producer carry at a regulated firm?

At firms subject to FINRA or SEC oversight, the producer should understand the pre-approval workflow for investment-related content, know which types of claims require legal review before airing, and maintain documentation of approvals. They don’t need to be a compliance officer, but they need to treat the compliance review step as a standard part of pre-production, building it into their workflow from the start.

What remote recording platforms should a podcast producer know?

The two platforms used most often in professional B2B podcast production are Riverside.fm and Squadcast. Both record each participant’s audio locally, which produces clean, studio-quality files even on imperfect connections. A producer doesn’t need to build these platforms, but they should know how to set up sessions, troubleshoot common issues, and brief guests on technical requirements.

Is a freelance podcast producer a good option for a finance company?

A freelance producer works well for low-frequency series or format testing, but shifts editorial governance responsibility back to your internal team. A freelancer won’t proactively flag compliance issues they weren’t briefed on. Finance companies using freelancers must maintain tight internal oversight, where the freelancer handles production execution and the internal team retains compliance review responsibility.